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Quick notes on four upcoming London jazz gigs of various kinds, from Jazz Nursery’s more traditional double bill to the contemporary electro-digital fusion soup at Jazz Market, from an Afrocosmic evening in Camden to the cut-up wildness at LUME Lab * * * * * * * * presents: Chimera Trio + Glaser Rapley Robinson, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England Thursday 30th March 2017, 7.30pm – “The Chimera Trio is a modern take on the classic organ trio sound inspired by the likes of Larry Young and Woody Shaw. The band features on trumpet, on organ and on drums, fusing elements of the organ tradition with more contemporary grooves, melodic ideas and improvisations. The trio started while studying together at Guildhall and went on to be shortlisted for the Chartered Surveyor Jazz Prize. “ Glaser Rapley Robinson (with on piano, on tenor sax/clarinet and on drums – all members of Rapley’s music-and-storytelling quintet Fabled) aims to explore early songbook and jazz repertoire in an open and honest way. A couple of instrumental or near-instrumental shows in London this week – intent and textural, electric and hidden, bubbling underground. * * * * * * * * presents: Future Currents, Old Paradise Yard, 20 Carlisle Lane, Waterloo, London, SE1 7LG, England Tuesday 15th November 2016, 8.00pm – IKLECTIK/band press release below (tweaked and interfered with, as usual): “Future Currents is the electric guitar ensemble formed by composer/improviser with the aim of exploring the full range of the guitar’s sonic potential and contributing to a redefinition of the instrument’s role in twenty-first century experimental music. Future Currents: ‘Future Currents’ EP“Bringing together three of the UK's most acclaimed improvising guitarists – Alex himself, ( of “Motorhead meets Mingus” jazz-rock trio ) and (formerly part of both and, currently working solo as Survival Skills and as part of the Shiver trio) -the ensemble creates new music of extremes: expansive soundscapes informed as much by composers like Morton Feldman, Frank Zappa, Olivier Messiaen and Richard D. James as by pioneering guitarists such as Fred Frith, Robert Fripp, Ben Monder, Marc Ducret and Bill Frisell. “As its name suggests, Future Currents’ (featuring post-production by fellow guitarist Matt Calvert of ), encapsulates a sense of existing in multiple tenses simultaneously (the “now” and a projected “then” ); but ‘Future Currents’ also connotes electricity – one of the defining elements of the ensemble’s sound. 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Further extending this theme, the track titles reference scientists and mathematicians who have made significant contributions to our understanding in this (or a related) field.” This concert is a launch gig for the EP, which will also include screenings of short films by, including his illuminated sine wave video for the track ‘Fourier’. * * * * * * * * On Thursday, there’s a repeat London date for the loomingly beautiful music of Rothko and the spellbindingly expansive improv trio Ghost Mind Trace Recordings presents: Rothko + Ghost Mind, 10a Bradbury Street, Dalston, London, N16 8JN, England Thursday 17th November 2016, 7.30pm– Though anchored in every sense – musical, textural, timbral, compositional and organisational – by Mark Beazley’s strata-laying post-punk bass guitar tones, the lineup of has shifted and reshaped over the years; like a restless colony creature (or, indeed, a restless artist’s colony). Sometimes it’s just Mark, painting bleak but beautiful low-frequency soundpaintings in a hundred hues of grey and grit; sometimes it’s Mark and another bassist, or a small wall of bassists; sometimes it’s Mark plus appended art-rock or post-rock band, adding flute, guitar, violin, drumkit, glockenspiel or whatever. Currently and confusingly, Rothko are managing to be two, but in three senses. There’s the project’s ongoing two-man lineup; then there’s the fact that there are two simultaneous and different versions of the lineup, operating in an amicable parallel. One of these is Mark plus recurring other-bass foil Michael D. USB 2.0 ports have been upgraded to the much welcomed USB 3.0. There’s one port on either side of the MacBook Air. Over on the right side of the MacBook Air, you find the second USB 3.0 port as well a Thunderbolt port. Orio telefonico sde cuba y ',o-.a clasificada de abonados (vea las paginas amarillas) / nu w e vea pagina 1 para indice y telefonos de emergencia y paginas 4 a 6 para otras informaciones de importancia. Cafe2.0 Test Drive Oliva: Netbeans For MacDonnelly, instrumental and enmeshed; the other is Mark plus Band Of Holy Joy frontman Johnny Brown, who are releasing the first collection of their work next Monday as the album ‘A Young Fist Curled Around A Cinder For A Wager’. It’s the Beazley/Brown lineup that’s playing at Servant Jazz Quarters, launching the record. From what I can gather, they’re a performative duo of Mark’s assertive, layered bass-scapes and Johnny’s spoken-word poetry; vivid, brutally honest evocations of childhood in a harsh, post-industrial rural community. Live, they’re augmented by the projected imagery of longtime Band of Holy Joy collaborator, whose work taps into feelings of loss and dislocation, and whose photos of battered shacks and sheds (like ghosts of habitation) makes up the bones of the new album’s artwork. More is evolving at the current ‘Young Fist’. (UPDATE – since I originally posted this, the album’s title track has surfaced on both Bandcamp and Soundcloud, so here it is) As for Ghost Mind, they’re a Cheltenham-based metaphysical quartet, a spin-off from long-running experimental group. Three playing members – Jon Andriessen on guitar and effects, Pete Robson on assorted trumpets and horns and Stuart Wilding on allsorts percussion – join forces with a fourth, conceptual member collated from found sounds and field recording atmospheres (gathered from around the planet, many of them from centres of human habitation) and characterised, for purposes of both performance and communion, as a kind of world consciousness.
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